|
Picks is a monthly sampling of Japan's art scene, offering commentary by a variety of reviewers about exhibitions at museums and galleries in recent weeks, with an emphasis on contemporary art by young artists. |
|
|
|
3 February 2014 |
|
| 1 | 2 | |
|
|
|
|
|
|
|
|
|
|
The Craft Works of Bruno Taut -- Taut's Design Legacy in Japan |
6 December 2013 - 18 February 2014 |
LIXIL Gallery
(Osaka) |
|
The German architect Bruno Taut (1880-1938) spent over three years in Japan in the early 1930s. This show introduces some 60 craftworks and articles of furniture he designed while in Japan, as well as sketches and drawings. One is struck by the care he took to highlight the distinctive characteristics of his materials, and by the sharp and sensitive eye he had for shape and color. The exhibits testify eloquently to Taut's knowledge of and enthusiasm for Japanese art and culture. |
|
|
|
|
|
|
|
Seaweeds, Wondrous Forests of the Sea |
5 December 2013 - 22 February 2014 |
LIXIL Gallery
(Tokyo) |
|
Yes, an exhibition about seaweed! Photos, drawings and specimens bring marine vegetable matter to life in as close to a natural setting as a landlocked gallery can muster. By "close to a natural setting" we of course mean its appearance; encasing exhibits in acrylic display cases is, granted, hardly natural. |
|
|
|
|
O Jun: Kakuco |
21 December 2013 - 2 March 2014
|
|
Fuchu Art Museum
(Tokyo) |
|
This solo show of 150 works reveals a unique oeuvre of paintings in which all manner of disparate elements and materials cohabitate in the same work: figurative and abstract motifs, lines and planes, watercolors and oils, monochrome and color, painterliness and flatness. Most of the exhibition is devoted to O's work from the nineties on, when his idiosyncratic style reached maturity. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sadaharu Horio Exhibition |
19 November - 1 December 2013 |
LADS Gallery
(Osaka) |
|
Self-styled "full-body artist" Horio (b. 1939), a Gutai veteran, puts on around 100 shows a year. It is pretty much impossible to critique his work based on a single exhibition, since his entire life seems intended for view as one big work of art. In this show he covered large sheets of folded paper with black paint; when opened they formed wall-sized panels with startling black-and-white patterns that made remarkable sense. |
|
|
|
|
|
Aimi Morikawa: Radio Exercises No.1 |
26 November - 1 December 2013 |
Kunst Arzt
(Kyoto) |
|
Morikawa's installation comprised paintings that trace the movements and sightlines of people doing calisthenics to the radio (a popular morning pastime in Japanese parks). Her distinctive style and her creative mode of display (bending and curving the paintings to achieve a dynamic spaciality) leave this viewer looking forward to her next event. |
|
|
|
|
|
|
|
|
|