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Picks is a monthly sampling of Japan's art scene, offering commentary by a variety of reviewers about exhibitions at museums and galleries in recent weeks, with an emphasis on contemporary art by young artists. |
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Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art |
27 May - 15 September 2014 |
The National Museum of Art, Osaka
(Osaka) |
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Accessing nostalgia as a trigger for the imagination and the weaving of fantasies into entire worlds is ostensibly what these contemporary artists have in common: Tadanori Yokoo, Yoshihisa Kitatsuji, Hitoshi Karasawa, Koji Tanada, Yukiko Suto, Keisuke Yamamoto, Toshiyuki Konishi, Yosuke Kobashi, Sai Hashizume, and the art unit Yodogawa Technique. |
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The Spiritual World: Collection Exhibition 2014 |
13 May - 13 July 2014
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Tokyo Metropolitan Museum of Photography
(Tokyo) |
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The museum assembles images from its collection, by photographers of diverse generations and intentions, under the "spiritual world" rubric -- i.e., works that, in the curators' words, occasion " a renewed receptivity to invisible and transcendent possibilities." (For an in-depth review, see the June 2014 edition of "Here and There.") |
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Go-Betweens: The World Seen through Children |
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Mori Art Museum
(Tokyo) |
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Children as a motif in contemporary art: interestingly, most of the works assembled for this show are photographs or videos. Perhaps those are the optimal media for capturing kids in all their multifaceted aspects, or perhaps artists who portray kids are themselves a multifaceted lot. What lingered after a viewing were not images of cuteness or innocence, but more sublime evocations of loneliness, eroticism, and paths trod precariously on the border between life and death. |
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Paradise Garden |
11 April - 4 May 2014 |
MA2 Gallery
(Tokyo) |
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Of the works by three artists in this joint show -- Takahiro Iwasaki, Ryuta Iida, and Aki Eimizu -- Iwasaki's are particularly imaginative. They include a ten-centimeter tower constructed of human hair, bookmark ribbons unraveled and woven into the shape of an industrial crane, and a hanging wooden model of a vertically mirrored symmetrical structure that appears to be the ancient Byodo-in temple, combined with its reflection in the pond that surrounds it. Every one of these works has its own peculiar impact. |
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