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Picks is a monthly sampling of Japan's art scene, offering commentary by a variety of reviewers about exhibitions at museums and galleries in recent weeks, with an emphasis on contemporary art by young artists. |
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1 September 2014 |
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Art with Chiso Yuzen: Create a New Sense |
13 June - 30 September 2014 |
Chiso Gallery
(Kyoto) |
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One of the old mainstays of Kyoto's fabled Yuzen dyeing tradition, the Chiso company initiated collaborations in 2005 (its 450th anniversary) with over 30 contemporary artists and fashion designers from seven countries. This exhibition offers a review of that project, featuring items ranging from textiles framed or mounted on scrolls, to kimono, to surfboards. |
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Happy Golden Years Exhibition II |
9 August - 24 November 2014
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Borderless Art Museum NO-MA
(Osaka) |
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NO-MA, which sees its mission as bringing together artists with disabilities and those without, commemorates its tenth anniversary with the second edition of an exhibition first held in 2006. As the Japanese title (literally "Fast-Moving Elders II: The Older You Are, the Wilder You Get") suggests, the emphasis is on senior artists who have not let age slow them down: Tatsumi Orimoto, Yukio Nakagawa, Sadao Shirai, Kiyoka Nishinohara, Masuo Fukuda, and Setsuo Konishi, every one of whom marches as vigorously as ever to a different drummer. |
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Re-Combustion |
26 August - 6 September 2014
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Matsuo Megumi + Voice Gallery
(Tokyo) |
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The title refers to the process of recovering discarded pottery, sticking it in a kiln and firing it again. The works thus produced and displayed here by ceramist Toshio Matsui and his cohorts give form to their concerns about the surfeit of mass-produced ceramics languishing in dead storage today. Proceeds from sales go to support artistic activities in the tsunami-devastated Tohoku region. |
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The Third Solo Exhibition of Issei Nishimura |
28 June - 20 July 2014 |
Galerie Miyawaki
(Kyoto) |
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Self-taught artist Nishimura has been painting for his own muse since around 2000. Characterized by strong brushwork and innovative color schemes, his works contain all manner of motifs: human figures, landscapes, and apparitions from the world of the imagination (the Japanese title of the exhibition is "Phantoms' Blues"). Without exception, these paintings exude a power that grabs the viewer by the throat. Forty of his latest works feature in this show. |
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