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Picks is a monthly sampling of Japan's art scene, offering commentary by a variety of reviewers about exhibitions at museums and galleries in recent weeks, with an emphasis on contemporary art by young artists. |
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1 February 2017 |
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Northern Song Ru Ware Narcissus Basins: Treasured Masterpieces from the National Palace Museum, Taipei |
10 December 2016 - 26 March 2017 |
The Museum of Oriental Ceramics, Osaka
(Osaka) |
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The celadon narcissus basins fired at the Ru kiln for China's Northern Song court during the late 11th and early 12th centuries are revered as some of the finest ceramics ever made. Four basins from Taipei's National Palace Museum join a fifth in the possession of the host museum, as well as one 18th-century Qing dynasty basin modeled after these earlier masterpieces. Smooth, hard, and lustrous, they epitomize an aesthetic diametrically opposite that of the wares associated with Japan's tea ceremony. |
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Sawada Kyoichi: From Home to Battle Zone |
8 October - 11 December 2016 |
Aomori Museum of Art
(Aomori) |
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Aomori-born Sawada (1936-70) earned the Pulitzer and numerous other prizes as a press photographer before he was killed while on assignment in Cambodia. His devastating images of the Vietnam War have appeared in countless media. The Aomori Museum celebrates its tenth anniversary with a retrospective of some 300 photographs and other documents out of the 25,000 Sawada-related items in its collection.
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Ryudai Takano: Distance and Time |
26 November 2016 - 9 January 2017 |
NADiff Gallery
(Tokyo) |
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In the seventies and eighties, Takano used the term "conceptual photography" to frame his efforts to push the envelope in response to the question "What is photography?" This recent show marks a robust return to that stance. Though Takano has always displayed an experimental streak, his 2010 "Declaration of Secession from Photography" signaled an acceleration of this tendency. His tenacious pursuit of new ways to confront the medium will no doubt continue to bear fascinating fruit.
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Yuta Hirai: BIOCRACY |
22 November - 24 December 2016 |
Garter
(Tokyo) |
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Whether it's a video that chronicles the eccentricities of reggae legend Lee Perry, or one that interviews advocates asserting the positive contributions of marijuana to society, Hirai's work abounds with imaginative twists that kick our thought patterns clear out of their everyday frame of reference. The brilliant thing about Hirai is that he helps us hone our own powers of artistic imagination to do battle with a contemporary society that takes reality-challenged artifice to new heights.
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