Back Issue - 1 October 2021 -
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image image Spores No More: The Shiga Museum of Art Sprouts Anew
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Colin Smith
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The Shiga Museum of Art has reopened after four years of renovations. Formerly the Shiga Museum of Modern Art, which opened in 1984, it has been rebranded (dropping the "Modern") to reflect a broadened collection. In addition to modern and contemporary art from Japan and overseas, plus Nihonga (Japanese-style painting), it now includes Art Brut (a.k.a. Outsider Art), an area of expertise for incoming museum director Kenjiro Hosaka as well as one with strong links to Shiga Prefecture. The museum marks its long-awaited relaunch with Voice-Over: Reverberations of the Museum, an exhibition of 167 works from the collection. more...

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image image Kenzo Tange: Architect of a New Modern Era in Japan
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James Lambiasi
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Modern architecture has created a revolution in new forms and innovative technology, and there may be no other country that represents this revolution more poignantly than Japan, as the evolving architecture of the Modern movement perfectly coincided with the birth of a global economic power from the ashes of World War II. While we owe the legacy of Japanese Modern architecture to a long list of pioneering architects, perhaps the most outstanding name of all is that of Kenzo Tange. more...

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image image Reality Sliced and Diced: Hirofumi Isoya at SCAI Piramide
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Alan Gleason
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Hirofumi Isoya deals in riddles, optical illusions and visual paradoxes. His works in multiple media are never quite what they seem -- though the first impressions they spark, sans any information about the artist's intentions, are often the most striking. That was my experience, anyway, at a solo show of his recent works at SCAI Piramide, a new exhibit space opened in April this year in Roppongi, Tokyo by the well-known contemporary art gallery SCAI The Bathhouse. Isoya's title for the exhibition, "Go, go, go, said the bird: humankind cannot bear very much reality", is a quote from a poem by T.S. Eliot. And indeed, the artist seems determined to show us just how readily we cobble together our own arbitrary meanings from ambiguous images and events. more...

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Recent Articles
FOCUS
Spores No More: The Shiga Museum of Art Sprouts Anew
Colin Smith
1 October 2021
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