Back Issue - 1 April 2022 -
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image image Little Pricks: Chim↑Pom's Cheap Cynicism and Flaccid Social Critiques
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Jennifer Pastore
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Chim↑Pom has been around since 2005, when its six members (Ryuta Ushiro, Yasutaka Hayashi, Ellie, Masataka Okada, Motomu Inaoka, and Toshinori Mizuno) were all in their twenties. The group grabbed the spotlight with performative acts like catching and painting rats a bright Pikachu yellow, or chartering a plane over Hiroshima to skywrite a reference to the atomic bombings. It has received fierce criticism but also popular and critical support, building a reputation over the years while exhibiting at elite galleries and museums worldwide. Chim↑Pom: Happy Spring, a retrospective at Mori Art Museum (MAM) and a satellite site in Shinbashi, presents around 150 works from nearly two decades of activity. more...

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image image Takamasa Yosizaka: Redefining Architecture at All Scales
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James Lambiasi
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Takamasa Yosizaka (1917-1980) is well known as one of the three Japanese architects who worked under the great modern master Le Corbusier, an experience that subsequently positioned him at the forefront of modern architecture as it developed in Japan. While one could say his counterparts Kunio Maekawa and Junzo Sakakura enjoyed more architectural acclaim globally, this should not diminish the profound influence that Yosizaka has had on Japanese modern architecture. The exhibition Yosizaka Takamasa Panorama World: from life-size to the earth at the Museum of Contemporary Art Tokyo highlights the importance of Yosizaka's life and architectural achievements in the most comprehensive retrospective of his work in a public art museum to date. more...

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image image Digitizing the Floating World: An Immersive Ukiyo-e Experience
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Alan Gleason
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The Kadokawa Culture Museum looms above the Tokyo suburb of Higashi-Tokorozawa, a massive, windowless, roughly cubic chunk of gray granite hard by a futuristic shopping center and a shiny new Shinto shrine that resembles a Starbucks. Designed by the ubiquitous Kengo Kuma and opened in 2020, the fortress-like structure is eye-catching, but hardly inviting. Nor is the layout inside terribly user-friendly. It took a while to find my way to the object of my visit, an ambitious installation that promised a "unique, 360-degree whole-body experience" of animated ukiyo-e. more...

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Recent Articles
FOCUS
Little Pricks: Chim↑Pom's Cheap Cynicism and Flaccid Social Critiques
Jennifer Pastore
1 April 2022
FOCUS
Takamasa Yosizaka: Redefining Architecture at All Scales
James Lambiasi
1 April 2022
HERE/THERE
Digitizing the Floating World: An Immersive Ukiyo-e Experience
Alan Gleason
1 April 2022
PICKS
Is the Door Open? Tracing the 40-year History of MOMAS and Its Collections
1 April 2022
FOCUS
New Kid on the Block: Osaka Welcomes a Long-Awaited Museum
Colin Smith
1 March 2022
FOCUS
Inspiration from Foreign Shores: The Impact of Japan on the Art of Joan Miró
J.M. Hammond
1 March 2022
HERE/THERE
Spirits in the Material World: The Paper Art of Reiko Nireki
Alan Gleason
1 March 2022
PICKS
Five Stories About Art: Always There
1 March 2022
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